This week I’m posting a series of posts about the Digital Harinezumi. See them all here.
Originally purchased for it’s weirdly saturated colors, it turns out I’m using my Harinezumi mostly for black and white shots now. Not only does the camera seem a little less low-res in monocrhome mode, the pixelation actually gives it a kind of raw feel… like the high contrast and grains found on 3200 film.
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