Analog:Glitch, double exposed images of glitch and street photography

I keep coming back to the intersection of digital and analog. A few years back I had a photo exhibit at Photobooth SF called “Analog:Glitch” which explored this idea with glitched images on Polaroid film. Since then, I’ve been messing around with other ways to combine these two worlds.

In this batch of double exposed photos, I started by creating a large set of digital glitch images then photographed each one with my SLR film camera (by just photographing my computer screen). I then reloaded the film and shot various images from around San Francisco. The resulting images were unplanned, but often lined up in interesting ways. (you can see the full album on Flickr)

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

 

Half-frame advance on a Lomo LC-Wide camera

The LC-Wide is a wide angle version of Lomography’s famous LC-A+ camera. I love it’s wide angle lens, but my favorite feature of the LC-Wide is it’s half-frame advance. This feature is usually intended to be used with a plastic template that helps keep images from bleeding onto each other, but if you leave that template out and use the half-frame advance, you’ll get surreal montages of images bleeding into each other.

It’s best to only do 3 images at a time, or else you’ll get a really wide and short image… like this:

Half frame double exposures

Here are some other examples the half-frame images bleeding into each other. Keep in mind, these are all shot in camera, with no editing afterwards.

wide climbing

Waterfront Dusk

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