double exposure

by doc on analog, photo

Panoramic Double Exposures From Around The Mission District and Mission Cliffs

I’ve shared some of my panoramic double exposure film experiments here before, but I just wanted to share another batch from around my neighborhood, The Mission District in SF, and from Mission Cliffs Gym.

In case you are wondering, these WIDE shots were all captured on film, with no digital composing. I’d take a shot on my LC-Wide camera, advance the frame half as much as usual, then take another shot. The resulting shots create surreal landscapes that blend into each other and take up about 6 to 14 inches of 35mm film. You can see more analog photos in this style on my Flickr page.

Panoramic collages

Mission Panorama Double Exposure

Panoramic collages

Panoramic collages

Panoramic collages

Panoramic collages

 
by doc on analog, glitch, photo

Analog:Glitch, double exposed images of glitch and street photography

I keep coming back to the intersection of digital and analog. A few years back I had a photo exhibit at Photobooth SF called “Analog:Glitch” which explored this idea with glitched images on Polaroid film. Since then, I’ve been messing around with other ways to combine these two worlds.

In this batch of double exposed photos, I started by creating a large set of digital glitch images then photographed each one with my SLR film camera (by just photographing my computer screen). I then reloaded the film and shot various images from around San Francisco. The resulting images were unplanned, but often lined up in interesting ways. (you can see the full album on Flickr)

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

Analog Glitch

 
by doc on analog, photo

American Analog: Couple’s Roll #3

Crosswalk

Christine and I have really enjoyed shooting our “couple’s rolls”. These are just rolls of film that I shoot on then re-load into the camera for Christine to shoot on top of, resulting in double exposures with surprising results. Here’s our newest roll, shot on my Ricoh R1 and some Tri-X film over the course of a weekend.
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